If the automatic sensor button is dark, as it is here, click it to turn it off.Ĩ. Click the Encoder button at the top of the Inspector.ħ. If the sample rate is correct, go to Step 10. This is the default setting for recording audio with video. Look in the Inspector and make SURE the sample rate is set to 48.000 kHz. Drag the AIFF File setting on top of the task that contains your audio file in the top window.ĥ. Click the Settings tab, twirl down the Apple folder, twirl down Audio Formats and look for the AIFF File setting.Ĥ. Click Add File in the top left corner and import the MP3 file(s) you want to convert.ģ. (I’m using Compressor 4 for this example, but the process is the same using Compressor 3.x.)Ģ.
ADD PLURAL EYE TO PREMIERE HOW TO
Here’s how to convert your MP3, or any other audio format, to AIF using Compressor.
ADD PLURAL EYE TO PREMIERE PRO
NOTE: Soundtrack Pro just hates editing MP3 audio – transcoding (or conversion) is almost mandatory. And the good news is that this conversion process is very fast and can be automated. This won’t improve the quality, but it will simplify your editing. I strongly recommend converting (or transcoding) any MP3 files that you need to edit into AIF before you start editing. MP3 is extremely compressed and often difficult to edit. Take a look at the two comments at the end of this article for more information:īut in the cases this week, the audio sync problem was caused by trying to edit an MP3 audio file. However, there are also problems with ProRes HQ and how it handles audio sync. Sync drift is generally caused by audio sample rates that don’t properly match the audio settings in the sequence. These complaints cover Final Cut Pro X, Final Cut Pro 7, and Compressor. Recently, I received a number of emails from folks with problems with audio that slowly drifts out of sync.
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